Dossier LELE Bac 2

[Lebailly]

Bonjour ou bon soir j'aurais besoin d'une correction pour mon dossier pour le Bac s'il vous plait. Merci d'avance.

 

The set of themes of the meeting is often central with the novel. The love can transport us relations. The dossier under study tackles the notions of love and friendship, two feelings that can emerge when one meets someone for the first time. The three texts will provide an analysis of the way love is represented and these consequences. It is not uncommon in literature to show how love can be ultimately destructive. My selected texts all suggest that the destructive nature of love is evident.

To what extent can love be destructive?

First I am going to deal loves characters and finally I am going to deals with destructive love.

 

 

I- We have studied “Romeo and Juliet” in class, by Shakespeare in 1597 and West Side Story, musical by Leonard Bernstein in 1962.To Romeo and Juliet, West Side Story the play focuses on romantic love, specifically the intense passion that springs up at first sight between Romeo and Juliet, Tony and Maria. For these characters, love is a violent, ecstatic, overpowering force that supersedes all other values, loyalties, and emotions. In the course of the play, the young lovers are driven to defy their entire social world: families; friends; and ruler.

The concept of cursed lover existed already before Romeo and Juliet. By love, Tristan and Yseult forgot their duties, disavowed their chivalrous honor, suffered and finally perished. Love potion made Tristan and Yseult victims of circumstances. They both love King Mark, but could not control their passions for one another. Despite owning affection and loyalty to their king, the potion had such a grip on the pairs that they would lie and cheat to be together. They broke every rules and ties that inevitably lead to tragedy. King Mark, Brangwain and Yseult of the White Hands were also victims of the potion.

 

 

II- The friar also connects “violent delights” to “violence ends”, and the lovers suicides suggest a final fusing of love and death. Yet as different interpretations maintain, this fusion’s meaning may be tragic, romantic, or both. The lovers are “consumed and destroyed by the feud and seem to rise above it, “united in death”.

The final scene thus accentuates the connections among selfhood, death and desire.

 The lovers meetings seem to dissolve time, making it speed up or, more powerfully, stop and stand still, as the present or transformed into the time of love. The lovers seek to disregard time and death in their union. Yet this passionate energy also drives the drama to its final, and Romeo’s words link their union and separation with death.

The story uses Shakespeare’s Romeo and Juliet as inspiration, and is the musical theater’s only real tragedy. In using the universal themes of prejudice, disenfranchisement and the destruction of love through hate, themes profound and disturbing, the work transcended the musical theatre medium. West Side Story is actually a modern adaptation of Shakespeare’s Romeo and Juliet.

West Side Story concerns itself as much with the seductiveness and self-destruction wrapped up in violent factionalism as it does with the couple that seemingly transcends it, making the story’s tragic conclusion all the more powerful. Deaths reverberate in complicated and sobering ways throughout the world that it has set up and explored.

In the finale, Tony, like Romeo without Juliet, chooses not to live. He runs through the streets in pursuit of Chino, who, like Paris in Romeo and Juliet, has been engaged to Maria/Juliet. Tony sees Maria far upstage, silhouetted in light blue light, but is shot by the avenging Chino. Unlike When he passes away while Maria holds his hand, Maria, like a suddenly wise Juliet, acknowledges the changes within her - "I can kill now because I hate now" - and she threatens all the gang members with Chino's handgun. But, unlike Tony and Chino, Maria chooses not to perpetuate the vicious circle of the revenge code. Instead, Maria drops the gun and embraces Tony, as the mesh cages close in behind her, the backdrop begins to fall from above, and the walls slide in from the side. Maria shows true courage in embracing Tony as city life continues behind her, and this poignant production concludes.

When the poison motive dissolves the tonality of Yseult’s reference to the bond of love, Tristan counters with the idea that death can destroye only that which keeps Tristan from living Yseult eternally; and Yseult responds that with the destruction of the world and Tristan could not be given to death unless Yseult died.

Through death, Tristan and Yseult seek to escape not only the illusions of the material world, but also the limitations of the individual ego—the burden of self-consciousness. It is in this sense that one must interpret Yseult’s last words: “unconscious—utmost bliss!”.

A short time later the ship landed, and Yseult the Fair came running to the spot where Tristan lay dead. She took him into her arms and lay next to him, with her cheek against his. "You have given up your life because of me," she cried, "and now, as a true lover, I shall die for you." These were her last words.

 

 

 To conclude death prevented them from living their love as a long time as they lived it intensely. But the trace that they leave is tantamount to lesson. Romeo and Juliette, Tony and Maria, Tristan and Yseult: The adversity was baited to choke them. Reduced to silence, these tragic couples shine by the beauty of what gathers: Love. By the same one they denounce the silly thing from what separates. Their sacrifice was not vain because it conveys the message of fraternity and of tolerance like is a prelude to at a better company.

[Jean B]

 

Bonjour,

Le 03/06/2016 at 18:29, Lebailly a dit :

Bonjour ou bon soir j'aurais besoin d'une correction pour mon dossier pour le Bac s'il vous plait. Merci d'avance.

 

The set of themes of the about meeting the others is often central with the in novels. The Love can transport us relations. <<Je ne comprends pas ce que ça peut bien vouloir dire !  The dossier under study tackles the notions of love and friendship, two feelings that can emerge when one meets someone else for the first time. The three texts will provide an analysis of the way love is represented and these  <<??? consequences. It is not uncommon in literature to show how love can be ultimately destructive. My selected texts all suggest that the destructive nature of love is evident.

To what extent can love be destructive?

First I am going to deal with loves characters and finally I am going to deals  with destructive love.

 

 

I- We have studied “Romeo and Juliet” in class, by Shakespeare in 1597 and West Side Story, the musical by Leonard Bernstein in 1962.To Romeo and Juliet, West Side Story the play focuses on romantic love, specifically the intense passion that springs up at first sight between Romeo and Juliet, Tony and Maria.  <<Ne te serais-tu pas emberlificoté les pinceaux quelque part ? For these characters, love is a violent, ecstatic, overpowering force that supersedes all other values, loyalties, and emotions. In the course of the play, the young lovers are driven to defy their entire social world: families; friends; and ruler.

The concept of cursed lover already  existed before Romeo and Juliet. By love, Tristan and Yseult forgot their duties, disavowed their chivalrous honor, suffered and finally perished. The love potion made Tristan and Yseult victims of circumstances. They both loved King Mark, but could not control their passions for one another. Despite owning affection and loyalty to their king, the potion had such a grip on the pairs that they would lie and cheat to be together. They broke every rules and ties that inevitably lead to tragedy. King Mark, Brangwain and Yseult of the White Hands were also victims of the potion.

 

 

II- The friar also connects “violent delights” to “violence ends”, and the lovers suicides suggest a final fusing of love and death. Yet as different various interpretations maintain, this fusion’s meaning may be tragic, romantic, or both. The lovers are “consumed and destroyed by the feud and seem to rise above it, “united in death”.

The final scene thus accentuates the connections among selfhood, death and desire.

 The lovers meetings seem to dissolve time, making it speed up or, more powerfully, stop and stand still, as the present or transformed into the time of love. The lovers seek to disregard time and death in their union. Yet this passionate energy also drives the drama to its final, and Romeo’s words link their union and separation with death.

The story uses Shakespeare’s Romeo and Juliet as an inspiration and is the musical theater’s only real tragedy. In using the universal themes of prejudice, disenfranchisement and the destruction of love through hate, themes profound and disturbing, the work transcended the musical theatre medium. West Side Story is actually a modern adaptation of Shakespeare’s Romeo and Juliet.

West Side Story concerns itself as much with the seductiveness and self-destruction wrapped up in violent factionalism as it does with the couple that seemingly transcends it, making the story’s tragic conclusion all the more powerful. Deaths reverberate in complicated and sobering ways throughout the world that it has set up and explored.

In the finale, Tony, like Romeo without Juliet, chooses not to live. He runs through the streets in pursuit of Chino, who, like Paris in Romeo and Juliet, has been engaged to Maria/Juliet. Tony sees Maria far upstage, silhouetted in light blue light, but is shot by the avenging Chino. Unlike When he passes away while Maria holds his hand, Maria, like a suddenly wise Juliet, acknowledges the changes within her - "I can kill now because I hate now" - and she threatens all the gang members with Chino's handgun. But, unlike Tony and Chino, Maria chooses not to perpetuate the vicious circle of the revenge code. Instead, Maria drops the gun and embraces Tony, as the mesh cages close in behind her, the backdrop begins to fall from above, and the walls slide in from the side. Maria shows true courage in embracing Tony as city life continues behind her, and this poignant production concludes.

When the poison motive dissolves the tonality of Yseult’s reference to the bond of love, Tristan counters with the idea that death can destroye only that which keeps Tristan from living Yseult eternally; and Yseult responds that with the destruction of the world and Tristan could not be given to death unless Yseult died.

Through death, Tristan and Yseult seek to escape not only the illusions of the material world, but also the limitations of the individual ego—the burden of self-consciousness. It is in this sense that one must interpret Yseult’s last words: “unconscious—utmost bliss!”.

A short time later the ship landed, and Yseult the Fair came running to the spot where Tristan lay dead. She took him into her arms and lay next to him, with her cheek against his. "You have given up your life because of me," she cried, "and now, as a true lover, I shall die for you." These were her last words.

 

 

 To conclude death prevented them from living their love as a long time as they lived it intensely. But the trace that they leave is tantamount to lesson. Romeo and Juliette, Tony and Maria, Tristan and Yseult: The adversity was baited to choke them. Reduced to silence, these tragic couples shine by the beauty of what gathers: Love. By the same one they denounce the silly thing from what separates. Their sacrifice was not vain because it conveys the message of fraternity and of tolerance like is a prelude to at a better company.

Tes phrases sont généralement si alambiquées (tu les as probablement "traduites" du français) que l'on a du mal à te suivre. 

"Ce qui se conçoit bien s'énonce clairement

Et les mots pour le dire arrivent aisément" dixit Nicolas Boileau-Despréaux. Cela s'applique tout aussi bien à l'anglais.

[Lebailly]

Merci pour cette correction. Je pense avoir tout corriger.

The set of themes about meeting the others is often central in novels. The dossier under study tackles the notions of love and friendship, two feelings that can emerge when one meets someone else for the first time. The three texts will provide an analysis of the way love is represented and consequences. It is not uncommon in literature to show how love can be ultimately destructive. My selected texts all suggest that the destructive nature of love is evident.

 

To what extent can love be destructive?

First I am going to deal with love characters and finally I am going to deal with destructive love.

 

I- We have studied “Romeo and Juliet” in class, by Shakespeare in 1597 and West Side Story, the musical by Leonard Bernstein in 1962.To Romeo and Juliet, West Side Story focuses on romantic love, specifically the intense passion that springs up at first sight between Romeo and Juliet, and to the character of Tony and Maria. For these characters, love is a violent, ecstatic, overpowering force that supersedes all other values, loyalties, and emotions. In the course of the play, the young lovers are driven to defy their entire social world: families; friends; and ruler.

The concept of cursed lover existed already before Romeo and Juliet. By love, Tristan and Yseult forgot their duties, disavowed their chivalrous honor, suffered and finally perished. The love potion made Tristan and Yseult victims of circumstances. They both loved King Mark, but could not control their passions for one another. Despite owning affection and loyalty to their king, the potion had such a grip on the pairs that they would lie and cheat to be together. They broke every rules and ties that inevitably lead to tragedy. King Mark, Brangwain and Yseult of the White Hands were also victims of the potion.

 

II- The friar also connects “violent delights” to “violence ends”, and the lovers suicides suggest a final fusing of love and death. Yet as various interpretations maintain, this fusion’s meaning may be tragic, romantic, or both. The lovers are “consumed and destroyed by the feud and seem to rise above it, “united in death”.

The final scene thus accentuates the connections among selfhood, death and desire.

 The lovers meetings seem to dissolve time, making it speed up or, more powerfully, stop and stand still, as the present or transformed into the time of love. The lovers seek to disregard time and death in their union. Yet this passionate energy also drives the drama to its final, and Romeo’s words link their union and separation with death.

The story uses Shakespeare’s Romeo and Juliet as an inspiration, and is the musical theater’s only real tragedy. In using the universal themes of prejudice, disenfranchisement and the destruction of love through hate, themes profound and disturbing, the work transcended the musical theatre medium. West Side Story is actually a modern adaptation of Shakespeare’s Romeo and Juliet.

West Side Story concerns itself as much with the seductiveness and self-destruction wrapped up in violent factionalism as it does with the couple that seemingly transcends it, making the story’s tragic conclusion all the more powerful. Deaths reverberate in complicated and sobering ways throughout the world that it has set up and explored.

In the finale, Tony, like Romeo without Juliet, chooses not to live. He runs through the streets in pursuit of Chino, who, like Paris in Romeo and Juliet, has been engaged to Maria/Juliet. Tony sees Maria far upstage, silhouetted in light blue light, but is shot by the avenging Chino. Unlike When he passes away while Maria holds his hand, Maria, like a suddenly wise Juliet, acknowledges the changes within her - "I can kill now because I hate now" - and she threatens all the gang members with Chino's handgun. But, unlike Tony and Chino, Maria chooses not to perpetuate the vicious circle of the revenge code. Instead, Maria drops the gun and embraces Tony, as the mesh cages close in behind her, the backdrop begins to fall from above, and the walls slide in from the side. Maria shows true courage in embracing Tony as city life continues behind her, and this poignant production concludes.

When the poison motive dissolves the tonality of Yseult’s reference to the bond of love, Tristan counters with the idea that death can destroye only that which keeps Tristan from living Yseult eternally; and Yseult responds that with the destruction of the world and Tristan could not be given to death unless Yseult died.

Through death, Tristan and Yseult seek to escape not only the illusions of the material world, but also the limitations of the individual ego—the burden of self-consciousness. It is in this sense that one must interpret Yseult’s last words: “unconscious—utmost bliss!”.

A short time later the ship landed, and Yseult the Fair came running to the spot where Tristan lay dead. She took him into her arms and lay next to him, with her cheek against his. "You have given up your life because of me," she cried, "and now, as a true lover, I shall die for you." These were her last words.

 

 To conclude death prevented them from living their love as a long time as they lived it intensely. But the trace that they leave is tantamount to lesson. Romeo and Juliette, Tony and Maria, Tristan and Yseult: The adversity was baited to choke them. Reduced to silence, these tragic couples shine by the beauty of what gathers: Love. By the same one they denounce the silly thing from what separates. Their sacrifice was not vain because it conveys the message of fraternity and of tolerance like is a prelude to at a better company.